Silver wedding rings Spirit of the Sleeping Giant

Contemporary expressions of ancient Anishinaabe imagery

Price range: 400.00 USD /530.00 CAD - 1,180.00 USD /1,570.00 CAD per wedding ring set*

Native American silver wedding rings Anishinaabe Woodland Art style

The spirit of the Sleeping Giant

We proudly present our new collection of unique appliqué/overlay wedding rings handcrafted in eco-friendly sterling silver. Silver rings are more affordable than gold rings; thick plate of high-quality sterling silver is used to compensate the lower durability of silver

The collection is inspired and infused by the ancient spirit of the Sleeping Giant, a mystical landmark of Gichigami (Lake Superior).

petrified manidoo resting in an opening of Thunder Bay, the Sleeping Giant is said to be the friendly spirit Wiinabozho whom the Great Mystery turned into stone in order for him to guard the bay and its sacred copper and silver deposits against the greed of foreign invaders...

Nanabush's Reawakening

*Prices are indicative and depend on ring sizes and the current exchange rates; shipping costs and possible tax rates are excluded.

About the wedding rings and the technique of overlay

"I use what I like to call the pictographic-overlay technique for some of my silver wedding rings as well as for many of my gold wedding rings, clan rings, and jewelry designs. In case of the overlay rings that you see on this page, this essentially means that I solder a piece of silver plate with a design cut out on top of a solid plate of the same material, making a negative design - called inside graphics - some of which have gold inlays - which is usually oxidized (darkened) in order to make the design stand out against the polished or matte surface of the wedding ring. I like to believe that the use of graphic overlay, which, if executed well, results in minimalist designs of striking simplicity, provides a genuine depth of meaning to my wedding rings. I want the contrast and dramatic movement of (the sometimes black outlined) forms and flowing lines, which are inspired on the ancient mazinaajimowin, the painted dreams and instructions that my ancestors left on rock, copper, leather, and birch bark, to capture the core essence of what I am conveying. Which is: to render a metaphorical, or rather, hidden, meaning in a way that anyone can relate to the universal nature of the imagery."

- Zhaawano Giizhik